The coffee mug from college. A potholder made in elementary school. Pair of salt and pepper shakers from generations past. On Refrangible we dive headfirst into stories about the things we make, use, save and carry, and what it tells us about our world. Join Producer in Residence Gianofer Fields and co-host Jonah Chester as they explore the stuff of everyday life.
Tune in below and subscribe wherever you listen to podcasts for a closer look at the material traces of our past.
We’d love to hear from you! Send us your questions, comments or tell us about an object that holds a special place in your world – email@example.com
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The Merriam-Webster dictionary defines material culture as “the totality of physical objects made by a people for the satisfaction of their needs, especially : those articles requisite for the sustenance and perpetuation of life.”
In this episode, we examine a series of meal planning pamphlets published as part of the U.S. Government’s National Wartime Nutrition Program. The pamphlets were distributed during World War II, with the intent to help housewives make the most of their allotted rations. But, in addition to recipes, these pamphlets can also provide us a glimpse into how Americans viewed collective responsibility during times of crisis.
For many European cultures, the Maypole symbolizes the dawning of spring. It alongside the annual May Day festival, marks the end of winter, a time of cold, darkness and death. In this episode, we ponder the question: What is our Maypole, and how do we process our eventual emergence from the COVID-19 pandemic?
Textile creation has long been an art of necessity, as makers mended and created clothing and often used remnants of fabric to make quilts. But gradually, the creation of these textiles has grown from necessity to high art. This month on Refrangible, the object at the center of our discussion is the sewing machine.
Related Material: Refrangible Episode Three: Sewing Machines and the Worlds They Make
Over the past three episodes, we’ve explored the idea of material culture through a series of inanimate objects. For our final episode of season one, we wanted to take a look at something we all use and have a very personal connection with: our bodies.
The fear and uncertainty of the current pandemic forced us to think about our bodies in new ways. Self-care took on a new meaning and personal choices about what to do with your body had an impact on your entire community.
How do you choose what to wear each day? Is it a matter of practicality, social expectations, or cultural identity? Or have you just been putting off doing the laundry, and this just happens to be your last clean shirt?
In episode one of season two of Refrangible, a podcast from the Center for Design and Material Culture, we’re exploring the intersection of clothing, culture and politics. Or, put more simply: Who wears what, and why?
In our first episode of season two, we posed a question: Who wears what, and why? We wanted to explore why folks dress the way they do, and what happens when a third party uses clothing to either impose an identity or steal someone else’s. As we were planning out that episode, we realized there was more to this discussion than we could possibly fit in a single episode.
So we decided to break the topic into two segments. So, today, we’re looking at the roots of American clothing and how those roots impact our modern-day relationship with clothes.
In episode one of this season, we touched briefly on the idea of appropriating – or perhaps, more accurately, commodifying – culture. Who really gets to reap the rewards, financial and otherwise, of a specific culture’s iconography, spirituality and history? In this episode, we’re reexamining the commodification of culture: and what happens when appreciation turns into appropriation.
Think about an object that makes you uncomfortable. Now, ask yourself: Why do you tend to side-eye that particular thing? In this episode of Refrangible, we’re talking about objects that may send shivers down our spines.
In this episode, we examine what defines a “home” — and what happens when it’s taken away.
In this episode, we examine how luxury home goods in southern plantation houses obscured the true ugliness running just under the surface.
From a practice cottage to a home management house, UW-Madison has a long history of live-in learning experiences. In this episode of Refrangible, we examine the university’s history of domestic education, and the lessons 21st century educators can pull from those experiments.
Thanks to our guests for this episode (in order of appearance): Barbara Tensfeldt, retired and professional volunteer; and Dr. Elizabeth Hooper-Lane, senior lecturer of art history at UW-Madison and an academic staff member at UW-Oshkosh.
Whether it’s an alien-fighting space robot or a cherished family heirloom, we all have a special place in our heart for our favorite childhood toys. In this episode of Refrangible, we take a closer look at that connection, and how it shapes us as adults.
Thanks to our guests for this episode: Mark Chester, Karla Chester and Nikki Hollander (a.k.a. Grandma Kitschy).
This program is available through the generosity of Lydia A. Black and the Lydia Childs Eskridge Fund and the Chipstone Foundation