Detail of a red, white, and green ceramic lid with a flower design as the top handle.
Photo of several books, pieces of fabric, and small objects on display in a case.
Photo of a large, old key placed on a white suitcase.
Details of two wreaths in a display case, one made of brown and blonde hair and the other made of colorful string.
Detail of a small metal cuff link with a small red gem in the center.

Material Culture

“This is Not a Chair” Video

“This is Not a Chair” is a pedagogical film created as part of the collaborative Tangible Things material culture project, which included a series of classes, an EdX course, a museum exhibit, and a book. In this short film, Harvard University Teaching Fellows Cara Fallon, John Bell, Chris Allison, and Carla Cevasco interpret chairs from the Collection of the Chipstone Foundation through various disciplinary lenses. The Tangible Things project was created by Laurel Ulrich, Ivan Gaskell, Sara Schechner and CDMC executive director, Dr. Sarah Anne Carter.

Material Culture Workshop

Throughout the academic year, the Nancy M. Bruce Center for Design and Material Culture hosts a monthly workshop to promote an interdisciplinary dialogue around the study of material culture on the University of Wisconsin–Madison campus. This platform, led by Professor Yuhang Li, Faculty Director for Material Culture, brings together scholars to share their current research on material culture. The workshop is open to methodological and theoretical approaches to the study of material culture across disciplines, geographical areas, and chronological periods. We welcome faculty, curators, researchers, and students who are committed to the study of material culture. Each session focuses on specific themes and involves presentations and discussions but can also include museum object viewing sessions and studio visits.

Would you like to participate? Connect and let us know.

Email us about a workshop

  • October 15, 2025Danielle Burke, PhD Candidate, Design Studies, School of Human Ecology
    Title: “Assembled Principally Through Correspondence: Aesthetic Ecologies in the Handicraft Movement, 1938-1947”
  • November 19, 2025Katie Juneau, PhD Student, Department of Art History
    Title: “The Ambiguous Fairyland of Reality and Unreality in John Anster Fitzgerald’s The Intruder”
  • December 17, 2025Chi Lynn Lin, Ph.D. Candidate, Department of Art History
    Title: “Surfacing Ritual Spaces through Textile in the Qing Court”
  • February 18, 2026Anna Bierbrauer, Assistant professor, Department of Planning and Landscape Architecture.
    Title: TBD
  • March 18, 2026James Bielo, Department of Religious Studies, Northwestern University
    Title: “Second Hand Scared” collaboration with Religious Studies Program at UW-Madison
  • April 15, 2026Katherine Alcauskas, Chief Curator, Chazen Museum of Art
    Title: TBD
  • September 18, 2024 – Ann Smart Martin, Professor Emerita, Department of Art History
    Title: “Jokes Came in with Candles: The Im/Material Culture of Domestic Lighting”
  • October 16, 2024 – Yongxin Kong, PhD Candidate, the Department of Art History, the Guangzhou Academy of Fine Arts Visiting scholar (2023-24), Center for Design and Material Culture
    Title: “So Much Longing in A Flower: Victorian Hair Flower-making, Botanical Knowledge and Floriography”
  • November 13, 2024 – Addison Nace, PhD Candidate, Design Studies Department
    Title: “Weaving the Archive: Maya Textiles Heritage Knowledge and Histories”
  • February 19, 2025 – Dr. Elizabeth Athens, Solmsen Fellow, IRH, UW–Madison, 2024-2025, Assistant Professor, Art + Art History, University of Connecticut
    Title: “
    The Early Modern Anatomist as Master Artisan”
  • March 19, 2025 – Svea Larson, PhD Candiate, Scandinavian Studies, Department of German, Nordic, and Slovic+
    Title: “‘I followed my cookbook’s instructions and my own taste.’ Recipe Collections and Practice-Based Education in Olga Hansson’s Culinary Vocational Training, Sweden circa 1910-1930”
  • April 17, 2025Maeve Hogan, PhD Candidate, Design Studies Department
    Title: “Between Utility and Art: Recovering Fiber-Based Craft Histories of the 1950s and 1960s”
  • September 18, 2023Anna Andrzejewski, Professor, The Department of Art History
    Title: “A Tropical Paradise?: Living Inside (and Outside) of South Florida’s Suburban Leisure Landscape”
  • October 16, 2023 – Tania Kolarik, PhD Candidate, The Department of Art History
    Title: “
    Textility: A New Textile Centric Art Historical Methodology”
  • October 16, 2023 – Dehlia Mitchell-Gray, PhD Student, The Department of Art History
    Title: “Cumbrous and Clumsy, Sharp and Bright: The Making, Use, and Import of Needles in Nineteenth Century China”
  • November 20, 2023 – Chi-Lynn Lin, PhD Student, The Department of Art History
    Title: “The Invention and Transformation of Chinese Carpets in the Nineteenth Century”
  • November 20, 2023 – Liesl Chatman, Folk Artist, North Folk School in Minnesota, the 2023 Folk Artist-in-Residence at the Art Department and Department of German, Nordic, and Slovic+
    Title: “Stories in Wood”
  • February 19, 2024 – Dr. Sophie Pitman, Pleasant Rowland Textile Specialist and Research Director for the Helen Louise Allen Textile Collection
    Title: “Research on display: curatorial strategies in
    Remaking the Renaissance
  • February 19, 2024 – Claire Kilgore, PhD Candidate, The Department of Art History
    Title: “Is That a Plaid, Check, or Tartan? Cataloguing a Visually Ubiquitous Medieval Textile”
  • March 18, 2024 – Travis Olson, PhD Candidate, Department of Art History
    Title: “
    Making It’ on the Edge of the West: The Speculative Landscape of Southwestern North Dakota”
  • March 18, 2024 – Dr. Sarah Anne Carter, Executive Director, Center for Design and Material Culture; Associate Professor, Design Studies Department
    Title: “Feeling like a Museum: Case Studies from the Milwaukee Public Museum”
  • April 15, 2024 – Dr. Janine Yorimoto Boldt, Collection Reinstallation Project Associate, Chazen Museum of Art, and  Carolyn Herrera-Perez, Curator of Glass and Ceramic, Chazen Museum of Art
    Title: “Centering Material Culture: Case Studies from the Chazen Museum of Art’s Collection”

Affiliated Program

The Nancy M. Bruce Center for Design and Material Culture collaborates with a number of material culture programs offered through the Design Studies Department in the School of Human Ecology through course engagements, exhibitions in our galleries, research visits to the collection, and more. We also offer a number of student employment and fellowship opportunities available to all UW–Madison students.

Student Opportunities

Certificate in Material Culture

The Undergraduate Certificate in Material Culture allows UW–Madison students to explore ways of making sense of the material world.

Photo of two hands pulling out a drawer that has a brown and white dish inside.

Material Culture Courses

Material Culture refers to an interdisciplinary set of methods and may be found in departments across campus.

preparator installing work in design gallery

History of Material Culture at UW

The University of Wisconsin–Madison has a long history of supporting material culture pedagogy and research under the guidance of Dr. Ann Smart Martin, Stanley and Polly Stone (Chipstone) Professor Emeritus of American Decorative Arts and Material Culture. Professor Martin is the founding director of the UW–Material Culture Program and Material Culture Faculty Group, first located in the Department of Art History and now within the School of Human Ecology. The Nancy M. Bruce Center for Design and Material Culture celebrated Prof. Martin’s contributions to material culture at the University of Wisconsin–Madison in the exhibition Questioning Things: A Quarter Century of Material Culture Studies at the University of Wisconsin–Madison.